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Even though it was outside of my price range, I decided to buy it because I hoped to save a few days with the type design part of my master's thesis.
这款插件比起Adobe Illustrator里原本的工具要好用得多。更多去使用它吧，你会慢慢发现它的神奇之处。
This tool creates letter forms that are suitable for the initial sketch of the whole alphabet or even final shapes without having previous skills in calligraphy.
You can omit the laborious drawing of all characters in the font. Especially in a font that has several styles, it maintains a harmonious relationship across the entire spectrum.
I have to say that the feeling about using the tool is GREAT! I'm a lettering artist and always have material to digitise. I will work on it with LTTR/INK and let you know.
LTTR/INK narrows the gap between calligraphy and typeface design. It offers new possibilities for designing letters with strokes.
This is a must-have for everyone who wants to try or master their typography skills! It makes the process that usually takes a few hours into a 30-40 minute job.
This is one of the best tools I've ever used I should say. Using it feels like using something that should already have been done in Adobe Illustrator.
This is finally a tool that makes drawing stroke-based lettering joy.
I find LTTRINK so helpful in drawing letters with a more organic look and in a very fast process.
An excellent tool for making sketches quickly if you are a professional. And to understand the stroke contrast if you are a student.
The consistency of the typographic system is achievable thanks to the intuitive way of defining the characteristics of the strokes.
One of the hardest things to accomplish is clean outlines when vectorising lettering. This tool makes it for me.
With LTTR/INK I finished and released my first font Beloid Gothic in two days!
It is really helping for rapid prototyping area for my work.
I’ve finished a font with three masters in one-tenth of the normal time. It saved me months of drawing proper shapes with outlines.
Ability to change the angle of each point allows for a more accurate interpretation when working with Arabic.
This is not a pen, but a hyper-pen, and it moves in ways that would probably break my hand.
I’ve sketched the stroke shapes in a few hours. Without the LTTR/INK it would be way harder.
Effortless modifying the brush controls in terms of size and angle
Very handy for explaining how construction and external form are related.